COMING UP FOR AIR: FILM AND THE "OTHER" SINGAPOREAN The history of Singapore's film industry is marked by two distinct periods. The first period, which lasted from the 1950s to the 1960s, is considered the golden age of Singapore films due to the prolific outpouring of primarily Malay films produced by the local Cathay and Shaw studios. The second period, which began in the 1990s, constitutes a revival of sorts for Singapore film, and is marked by the recent spate of local productions that began with Medium Rare in 1991 and continues to the present. What is interesting about this current "resurgence" of local films is that while these films have resuscitated the previously dormant film industry in Singapore, and can, therefore, be considere...
133 p.There has been a massive growth of cinema industry in Singapore in the last five years. In fac...
The report discussed the challenges faced in reviving the Singapore film industry.Bachelor of Commun...
This paper investigates the mutually constitutive relationship between the context of film productio...
COMING UP FOR AIR: FILM AND THE "OTHER" SINGAPOREAN The history of Singapore's film industry is mark...
IT HAS BEEN TEN YEARS SINCE FILM PRODUCTION IN SINGAPORE WAS REVIVED IN 1991 after being dormant for...
SINGAPORE INTERNATIONAL FILM FESTIVAL 2001: CROUCHING TYRANTS, HIDDEN TALENTS For a young island-sta...
In a country where popular mediums like print, film, television and radio are either state controlle...
EMERGING TRENDS: A PERSONAL VIEW From Singapore three out of four of its cinematic efforts produced ...
As the cinema of a small nation, Singapore cinema punches above its weight. The series of internatio...
SINGAPORE INTERNATIONAL FILM FESTIVAL 2004 For nearly two decades, the Singapore International Film ...
While the horror genre has a rich narrative tradition in the Malaysia Peninsula, it is experiencing ...
In the years of contemporary Singapore films, Singaporean filmmakers have been trying to make sense ...
This study concerns the Singapore indigenous film industry, specifically film creators and their int...
This exploratory research investigates local moviegoers’ reception towards local films in Singapore....
SINGAPORE AND HONG KONG FESTIVALS: DIVERSITY, CONTRAST AND SIMILARITY FROM the 1st Hong Kong Interna...
133 p.There has been a massive growth of cinema industry in Singapore in the last five years. In fac...
The report discussed the challenges faced in reviving the Singapore film industry.Bachelor of Commun...
This paper investigates the mutually constitutive relationship between the context of film productio...
COMING UP FOR AIR: FILM AND THE "OTHER" SINGAPOREAN The history of Singapore's film industry is mark...
IT HAS BEEN TEN YEARS SINCE FILM PRODUCTION IN SINGAPORE WAS REVIVED IN 1991 after being dormant for...
SINGAPORE INTERNATIONAL FILM FESTIVAL 2001: CROUCHING TYRANTS, HIDDEN TALENTS For a young island-sta...
In a country where popular mediums like print, film, television and radio are either state controlle...
EMERGING TRENDS: A PERSONAL VIEW From Singapore three out of four of its cinematic efforts produced ...
As the cinema of a small nation, Singapore cinema punches above its weight. The series of internatio...
SINGAPORE INTERNATIONAL FILM FESTIVAL 2004 For nearly two decades, the Singapore International Film ...
While the horror genre has a rich narrative tradition in the Malaysia Peninsula, it is experiencing ...
In the years of contemporary Singapore films, Singaporean filmmakers have been trying to make sense ...
This study concerns the Singapore indigenous film industry, specifically film creators and their int...
This exploratory research investigates local moviegoers’ reception towards local films in Singapore....
SINGAPORE AND HONG KONG FESTIVALS: DIVERSITY, CONTRAST AND SIMILARITY FROM the 1st Hong Kong Interna...
133 p.There has been a massive growth of cinema industry in Singapore in the last five years. In fac...
The report discussed the challenges faced in reviving the Singapore film industry.Bachelor of Commun...
This paper investigates the mutually constitutive relationship between the context of film productio...